Today is publication day for Photographed in the Writer’s Room by Michelle L. E. Price and I am helping to spread the word on it!
Former TV star Brandi Tyler’s big screen debut crashed and burned amid rumors of an affair with her married co-star… Now, she wants nothing more than to quietly slink away from Hollywood. When she’s offered an opportunity to get out of town and work on a project involving the photographer that launched her career, it seems like the perfect escape! Unfortunately for Brandi, her famous face makes hiding out even a huge city like Houston a little tricky.
When the celebrated photographer’s son offers to let her use his home for privacy, it seems like everything is falling into place. Little does she know that Michael Ames a gorgeous best selling author, and he comes with the package! As Brandi makes her way through old photographs and new scandals, Michael struggles with his next project, and they both fight the growing attraction between them.
Maybe a posse of new girlfriends, some Texas-sized boozy brunches, and a little private time in the writer’s room will help this leading lady find her path back onscreen. And, if she can just picture it, maybe this time she’ll even find love?
About the Author:
Born in Montreal but raised in New England, author Michelle L. E. Price has been writing as long as anyone can remember. An avid reader who was on the verge of losing her mind as a mom to two small children, Michelle began writing her first book, Hidden in the Writer’s Room, as an escape… at least her characters would do exactly what she told them to do and she could always count on a happily ever after ending. She also enjoys wine, re-watching 90’s sitcoms and occasionally running, but heavily relies on writing to stay sane. Michelle is a firm believer that laughter and love are the best parts of life.
Today as a part of the publication day push, I am helping to spread the word on Preserved by Fiona Sherlock. This one is released today! Happy Publication Day!!!
She’s stuck in the past, the killer wants to immortalise his future. When a local farmer announces on social media that he has discovered a bog body in Ardee, the world’s historians are keen to explore the secrets of the life and grisly death of the victim. Antique journalist January Quail is fighting to keep her newspaper job and uncovers far more than she bargained for.
The victim is actually a recent murder, and January uses her nose for the truth to investigate the County Louth town. From shopkeeper to the publican, everyone is a suspect, but when the Gardai can’t find the killer, can January?
Once she sets down the liqueur glass, January gains the confidence of the lead garda investigator. Within days, the case unravels into a much more dangerous situation with a killer on the loose.
Despite the risk, January is electrified that this newest discovery has come at the perfect time to inject some colour into her flailing career. January relinquishes her old ways to fight for survival, abandoning her antiques column and vintage corsets to solve a cryptic crime that has the experts puzzled. This woman who longs to lives in the past must now fight for her life in the present.
About the Author:
Fiona Sherlock is a crime writer from Bective, in Ireland. Her murder mystery games are played across the world. She also writes poetry and prose but cannot stay away from a good murder. After spending a decade in Dublin working in public relations and journalism, she moved to the country for mid-day fires and elderflower champagne.
Today as a part of the blog tour for Circles of Deceit by Paul CW Beatty. He will be sharing about On the Incongruity of being a Novelist.
Murder, conspiracy, radicalism, poverty, riot, violence, capitalism, technology: everything is up for grabs in the early part of Victoria’s reign.
Radical politicians, constitutional activists and trade unionists are being professionally assassinated. When Josiah Ainscough of the Stockport Police thwarts an attempt on the life of the Chartist leader, Feargus O’Connor, he receives public praise, but earns the enmity of the assassin, who vows to kill him.
‘Circles of Deceit’, the second of Paul CW Beatty’s Constable Josiah Ainscough’s historical murder mysteries, gives a superb and electric picture of what it was to live in 1840s England. The novel is set in one of the most turbulent political periods in British history, 1842-1843, when liberties and constitutional change were at the top of the political agenda, pursued using methods fair or foul.
On the Incongruity of being a Novelist
‘You’ve written a book? How on earth did you manage that?’ people often ask me. It is at least an honest reaction to me saying I am an author.
Far better than ‘Oh really. I’ve always wanted to do that,’ which really means, I’ve never wanted do anything of the sort and you’re boring.’
Or the glassy eyed reaction after I’ve said, ‘I write historical murder stories set in Victorian England — 1840’s to be precise.’
The fact is, that where could any author start to answer such open-ended questions? There are so many bits of information that add up to compelling someone to write a book, like my current novel, Circles of Deceit. I’ll get back to that.
If I begin at the beginning, then I suppose my greatest influence was my father. I couldn’t get to sleep easily when I was a child, a problem that persisted until I was nearly eleven. My father would read aloud to me from suitable children’s books or books that told the stories of Greece and Rome, and later from encyclopaedias, until finally he would read from the latest serious library book he was studying for his postal courses.
The effects were twofold. In the case of the storybooks and books of myth, I learned to love the unfolding of a story, as well as appreciating the sound of words in my ears. Dad’s endeavours also made me realise that reading books was the access point to learning, and the possibility of a better job than my parents, or in fact anyone else in my family, had ever had. Maybe, just maybe, a job that would mean going to university.
Years after, I got a degree in Physics from University College London. I became a Medical Engineer in the NHS and worked in medical research. A steady job, well yes and no. For those of you who watched Big Bang Theory, engineers are not in England inferior to science graduates. In fact, they aren’t in American universities either — damn it I’ve been invited to lecture at the Harvard Medical School!
Yes, I know, what’s this got to do with writing books. Writing books, book chapters and scientifical papers are all important parts of being a scientist. But that’s not the same as writing a novel. In science what you write is about discovering the truth. It’s about experiment, hypothesis and new ways of approaching problems. In that way scientific writing shares narrative with writing fiction. But stories are imaginative narratives.
If an author chooses to write historical fiction, there are issues of research similar to science, to make sure that the plot and setting are historically accurate or at least plausible. The discipline of science research, when looking at what other scientists say, is just as relevant when it comes to conclusions about how historians interpret past events.
I never lost my childhood appreciation of story but ten years or so ago, I took a degree in Creative Writing. Hence Circles of Deceit the second in an intended series of a Victorian crime stories stretching from 1841 to 1851, from the period of political unrest and a shaky start to Victoria’s reign, to the great Exhibition and the cementing the security of Great Britain as the world’s dominant manufacturing power as well as the security of the Victorian regal dynasty.
Circles of Deceit is set in one of the most tumultuous upheavals of that time, where poverty and hunger in the working classes motivated a series of strikes in different industries, which became one united General Strike. The conflict between the established government spilled over into a conflict between those with power and wealth, and those without access to a proper democratic parliament, the Chartist movement. My characters, I hope, reflect what happen to different people in that period. Read and enjoy.
About the Author:
Paul CW Beatty is an unusual combination of a novelist and a research scientist. Having worked for many years in medical research in the UK NHS and Universities, a few years ago he took an MA in Creative Writing at Manchester Metropolitan University emerging with a distinction.
His latest novel, Children of Fire, is a Victorian murder mystery set in 1841 at the height of the industrial revolution. It won the Writing Magazine’s Best Novel Award in November 2017 and is published by The Book Guild Ltd.
Paul lives near Manchester in the northwest of England. Children of Fire is set against the hills of the Peak District as well as the canals and other industrial infrastructure of the Cottonopolis know as the City of Manchester.
Contact Paul CW Beatty: