Tag: Stephen King

First Line Friday #129

Halloween is almost here and today we have our last First Line Friday with Stephen King. I have seen the movie, and while it had promise that did not deliver for me, maybe the novel is better:

The event that came to be known as The Pulse began at 3:03 p.m., Eastern Standard Time, on the afternoon of October 1.

There’s a reason cell rhymes with hell.

On October 1, God is in His heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He’s just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He’s already picked up a small (but expensive!) gift for his long-suffering wife, and he knows just what he’ll get for his boy Johnny. Why not a little treat for himself? Clay’s feeling good about the future.

That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone’s cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization’s darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature…and then begins to evolve.

There’s really no escaping this nightmare. But for Clay, an arrow points home to Maine, and as he and his fellow refugees make their harrowing journey north they begin to see crude signs confirming their direction. A promise, perhaps. Or a threat…

There are 193 million cell phones in the United States alone. Who doesn’t have one? Stephen King’s utterly gripping, gory, and fascinating novel doesn’t just ask the question “Can you hear me now?” It answers it with a vengeance.

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First Line Friday #128

We are back for another First Line Friday Stephen King edition:

Almost everyone thought the man and the boy were father and son.

Salem’s Lot is a small New England town with white clapboard houses, tree-lined streets, and solid church steeples. That summer in ‘Salem’s Lot was a summer of home-coming and return; spring burned out and the land lying dry, crackling underfoot. Late that summer, Ben Mears returned to ‘Salem’s Lot hoping to cast out his own devils… and found instead a new unspeakable horror.

A stranger had also come to the Lot, a stranger with a secret as old as evil, a secret that would wreak irreparable harm on those he touched and in turn on those they loved.

All would be changed forever—Susan, whose love for Ben could not protect her; Father Callahan, the bad priest who put his eroded faith to one last test; and Mark, a young boy who sees his fantasy world become reality and ironically proves the best equipped to handle the relentless nightmare of ‘Salem’s Lot.

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First Line Friday #127

Today I will be sharing the first few lines of another of Stephen King’s novels. I actually really liked these lines as they are true:

In one way, at least, our lives are like movies.  The main cast consists of your family and friends.  The supporting cast is made up of neighbors, co-workers, teachers, and daily acquaintances.  There are also bit players: the supermarket checkout girl with the pretty smile, the friendly bartender at the local watering hole, the guys you work out with at the gym three days a week. And there are thousands of extras- those people who flow through every life like water through a sieve, seen once and never again.

In a small New England town, in the early 60s, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs Jacobs; the women and girls – including Jamie’s mother and beloved sister – feel the same about Reverend Jacobs. With Jamie, the Reverend shares a deeper bond, based on their fascination with simple experiments in electricity.

Then tragedy strikes the Jacobs family; the preacher curses God, mocking all religious belief, and is banished from the shocked town.

Jamie has demons of his own. In his mid-thirties, he is living a nomadic lifestyle of bar-band rock and roll. Addicted to heroin, stranded, desperate, he sees Jacobs again – a showman on stage, creating dazzling ‘portraits in lightning’ – and their meeting has profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings. Because for every cure there is a price…

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