The Secret Mother: An Extract
This afternoon I am sharing chapter one from the upcoming novel The Secret Mother by Shalini Boland. Publication date is November 9, 2017 and the publisher is Bookouture.
Tessa Markham comes home to find a child in her kitchen calling her ‘mummy’. But Tessa doesn’t have any children.
She doesn’t know who the little boy is or how he got there.
After contacting the police, Tessa comes under suspicion for snatching the child. She must fight to prove her innocence. But how can she convince everyone she’s not guilty when even those closest to her are questioning the truth? And when Tessa doesn’t even trust herself…
A chilling, unputdownable thriller with a dark twist that will take your breath away and make you wonder if you can ever trust anyone again. Perfect for fans of Gone Girl, The Girl on the Train and The Sister.
Pre-order The Secret Mother Now!
Here’s what readers are saying about Shalini Boland:
‘Read in one sitting from 9pm last night until 2:15 am. I literally could not put it down!!!! The story line and the twists and the way it’s written just draws you in completely and you have to know where it’s going I couldn’t read fast enough… absolutely addictive and brilliant and an end I didn’t see coming. This is one book you have to read and it gets 5 huge stars from me!!!!’ Goodreads reviewer, 5 stars
‘What can I say? Just wow. I’m usually never surprised by an ending, but this one blew me away. I am totally in shock and think I’ll have a hangover from this book for a while. A great read that keeps you on your toes until the very last word.’ Stacey Harrell, Goodreads
‘If anyone can have me reading until 2am and finishing a book in less than 48hrs in the school holidays it’s this author… massive five stars from me.’ Sarah Mackins, UK Crime Book Club, 5 stars
‘The ending of this book blew me out of the water, you won’t be able to put this down.’ For the Love of Books, 5 stars
‘The plot is gripping and once you’ve started reading, you have to keep on reading, you need to know how the story will end.’ Bits About Books, 5 Stars
‘… one of the most chilling reads of the year for me.’Ajoobacats Blog, 5 Stars
‘This book should come with a warning… make sure you have enough time to read it in one-sitting because as soon as you’ll pick it up, you won’t be able to put it down!’ Bookishly Ever After, 5 stars
‘This is a brilliant psychological thriller. In fact, it’s one of the best I’ve read. It is full of suspense and has more twists and turns than a fairground ride.’ Jackie Roche, UK Crime Book Club, 5 Stars
‘I thought I knew the direction this story was going go. Then the jaw dropping moment happened!… unputdownable!’ G
‘Once again, Boland has managed to blow my mind with all the twists and turns… an outstanding explosive read!’ M
‘Great book. I read it in less than 24 hours. I was unable to put it down. The story was fast paced and intriguing.’ Goodreads reviewer, 5 stars
The street lamps flicker, illuminating the grey pavement mottled with patches of dirty snow and slick black ice. Slushy puddles hug the kerb, cringing away from the hissing, splashing car tyres. It takes all my concentration to keep my balance. My hands would be warmer if I jammed them into my coat pockets, but I need them free to steady myself on walls, fences, tree trunks, lamp posts. I don’t want to fall. And yet would it really be so terrible if I slipped on the ice? Wet jeans, a bruised bum. Not the end of the world. There are worse things. Far worse things.
It’s Sunday: the last exhale of the week. That uncomfortable pause before Monday, when it all starts up again – this lonely pretence at life. Sunday has become a black dot on the horizon for me, growing larger each day. I’m relieved now it’s almost over and yet I’m already anticipating the next one. The day when I visit the cemetery and stand above their graves, staring at the grass and stone, talking to them both, wondering if they hear my inane chatter or if I’m simply talking into the empty wind. In burning sunlight, pouring rain, sub-zero temperatures or thick fog I stand there. Every week. I’ve never missed a Sunday yet.
Sleet spatters my face. Icy needles that make me blink and gasp. Finally, I turn off the high street into my narrow road, where it’s more sheltered and the wind less violent. A rainbow assortment of overflowing bins lines my route, waiting for collection tomorrow at some ungodly pre-dawn hour. I turn my face away from the windows where Christmas tree lights wink and blink, reminding me of happier Christmases. Before.
My little north London terraced house sits halfway along the road. Pushing open the rusted gate, I turn my face away from the neglected front garden with its discarded sweet wrappers and crisp packets blown in from the street, now wedged among long tussocks of grass and overgrown bushes. I thrust my frozen fingers into my bag until they finally close around a jagged set of keys. I’m glad to be home, to get out of the cold, and yet my body sags when I open the door and step into the dark silence of the hall, feeling the hollow of their absence.
At least it’s warm in here. I shrug off my coat, kick off my boots, dump my bag on the hall table and switch on the light, avoiding my sad reflection in the hall mirror. A glass of wine would be welcome about now. I glance at my watch – only 5.20. No. I’ll be good and make a hot chocolate instead.
Strangely, the door to the kitchen is closed. This strikes me as odd, as I always leave it open. Perhaps a gust of wind slammed it shut when I came in. I trudge to the end of the hall and stop. Through a gap in the bottom of the door I see that the light is on. Someone’s in there. I catch my breath, feel the world slow down for a moment before it speeds back up. Could I have a burglar in my house?
I cock my ear. A sound filters through. Humming. A child is humming a tune in my kitchen. But I don’t have a child. Not any more.
Slowly I pull down the handle and push the door, my body tensing. I hardly dare breathe.
Here before me sits a little boy with dark hair, wearing pale blue jeans and a green cable-knit jumper. A little boy aged about five or six, perched on a chair at my kitchen counter, humming a familiar tune. Head down, he is intent on his drawing, colouring pencils spread out around an A4 sheet of paper. A navy raincoat hangs neatly over the back of the chair.
He looks up as I enter the room, his chocolate-brown eyes wide. We stare at one another for a moment.
‘Are you my mummy?’ the little boy asks.
I bite my bottom lip, feel the ground shift. I grasp the counter top to steady myself. ‘Hello,’ I say, my heart suddenly swelling. ‘Hello. And who might you be?’
‘You know. I’m Harry,’ he replies. ‘Do you like my picture?’ He holds the sheet out in front of him, showing me his drawing of a little boy and a woman standing next to a train. ‘It’s not finished. I haven’t had time to colour it in properly,’ he explains.
‘It’s lovely, Harry. Is that you standing next to the train?’
‘Yes.’ He nods. ‘It’s you and me. I drew it for you because you’re my mummy.’
Am I hallucinating? Have I finally gone crazy? This beautiful little boy is calling me his mummy. And yet I don’t know him. I’ve never seen him before in my life. I close my eyes tight and then open them again. He’s still there, looking less confident now. His hopeful smile has faltered, slipping into a frown. His eyes are now a little too bright. I know that look – it’s the one that precedes tears.
‘Hey, Harry,’ I say with false jollity. ‘So you like trains, huh?’
His smile returns. ‘Steam trains are the best. Better than diesels.’ He scrunches up his face in disgust and blinks.
‘Did you come here on the train? To my house?’
‘No. We came on the bus. I wish we did come on the train, the bus was really slow. And it made me feel a bit sick.’ He lays the sheet of paper back on the counter.
‘And who did you come with?’ I ask.
I think I must have misheard him. ‘Who?’
‘The angel brought me here. She told me that you’re my mummy.’
I glance around, suddenly aware that Harry might not be the only stranger in my house. ‘Is she here now?’ I ask in a whisper. ‘Is there someone else here with you?’
‘No, she’s gone. She told me to do some drawing and you’d be here soon.’
I relax my shoulders, relieved that there’s no one else in my home. But it still doesn’t help me solve the problem of who this little boy is. ‘How did you get into the house?’ I ask, nervously wondering if I might find a smashed window somewhere.
‘Through the front door, silly,’ he replies with a smile, rolling his eyes.
Through the front door? Did I leave it open somehow? I’m sure I would never have done that. What’s going on here? I should call someone. The authorities. The police. Somebody will be looking for this child. They will be frantic with worry. ‘Would you like a hot chocolate, Harry?’ I ask, keeping my voice as calm as possible. ‘I was going to make one for myself, so—’
‘Do you make it with milk?’ he interrupts. ‘Or with hot water? It’s definitely nicer with milk.’
I suppress a smile. ‘I agree, Harry. I always make it with milk.’
‘Okay. Yes, please,’ he replies. ‘Hot chocolate would be lovely.’
My heart squeezes at his politeness.
‘Shall I carry on colouring in my picture,’ he says, ‘or shall I help you? Because I’m really good at stirring in the chocolate.’
‘Well, that’s lucky,’ I reply, ‘because I’m terrible at stirring in the chocolate, so it’s a good thing you’re here to help me.’
He grins and slides off the stool.
What am I doing? I need to call the police right now. This child is missing from somewhere. But, oh God, just give me ten minutes with this sweet little boy who believes I’m his mother. Just a few moments of make-believe and then I’ll do the right thing. I reach out to touch his head and immediately snatch my hand back. What am I thinking? This boy has to go back to his real mother; she must be paralysed with worry.
He smiles up at me again and my chest constricts.
‘Okay,’ I say, taking a breath and blinking back any threat of tears. ‘We’ll do the chocolate in a minute. I’m just going to make a quick phone call in the hall, okay?’
‘Carry on with your drawing for a little while. I won’t be long.’
He climbs back up onto the stool and selects a dark green pencil before resuming his colouring with a look of serious concentration. I turn away and pad out to the hall, where I retrieve my phone from my bag. But instead of dialling the police, I call another number. It rings twice.
‘Tess.’ The voice at the other end of the line is clipped, wary.
‘Hi, Scott. I need you to come over.’
‘Yes. Please, it’s important.’
‘Tessa, I’m knackered, and it’s hideous out there. I’ve just sat down with a cup of tea. Can’t it wait till tomorrow?’
‘No.’ Standing by the hall table, I glimpse Harry through the doorway, the curls of his fringe flopping over one eye. Am I dreaming him?
‘What’s the matter?’ Scott says this the way he always says it. What he really means is, What’s the matter now? Because there’s always something the matter. I’m his damaged wife, who’s always having some new drama or make-believe crisis. Only this time he’ll see it’s something real, it’s something not of my making.
‘I can’t tell you over the phone, it’s too weird. You have to come over, see for yourself.’
His sigh comes long and hard down the phone. ‘Give me twenty minutes, okay?’
‘Okay. Thanks, Scott. Get here as soon as you can.’
My heart pounds, trying to make sense of what’s happening. That little boy in there says an angel brought him. He says I’m his mummy. But he’s not mine. So where on earth did he come from?
I take a breath and go back into the kitchen. The air is warm, welcoming, cosy. Nothing like the usual sterile atmosphere in here.
‘Can we make hot chocolate now?’ Harry looks up with shining eyes.
‘Of course. I’ll get the mugs and the chocolate. You open that drawer over there and pass me the smallest pan you can find.’
He eagerly does as I ask.
‘Harry,’ I say. ‘Where are your parents, your mummy and daddy?’
He stares at the pans in the drawer.
‘Harry?’ I prompt.
‘They’re not here,’ he replies. ‘Is this one small enough?’ He lifts out a stainless-steel milk pan and waves it in my direction.
‘Perfect.’ I nod and take it from him. ‘Can you tell me where you live?’
‘Did you run away from home? Are you lost?’
‘But where’s your house or flat? The place you live? Is it here in Friern Barnet? In London? Close to my house?’
He scowls and looks down at the flagstone floor.
‘Do you have a last name?’ I ask as gently as I can.
He looks up at me, his chin jutting out. ‘No.’
I try again, crouching down so I’m on his level. ‘Harry, darling, what’s your mummy’s name?’
‘You’re my new mummy. I have to stay here now.’ His bottom lip quivers.
‘Okay, sweetie. Don’t worry. Let’s just make our drinks, shall we?’
He nods vigorously and sniffs.
I give his hand a squeeze and straighten up. I wish I hadn’t had to call Scott. And yet I need him to be here when I ring the police. I can’t deal with them on my own, not after what happened before. I’m dreading their arrival – the questions, the sideways glances, the implication that I might have done something wrong. I haven’t done anything wrong, though. Have I?
And Harry… he’ll be taken away. What if his parents have been abusive? What if he has to go into foster care? A thousand thoughts run through my mind, each worse than the one before. But it’s not my place to decide what happens to him. There’s nothing I can do about any of it, because he’s not mine.
I don’t have a child. Not any more.
Standalone Sunday: H.P. Lovecraft’s Book of Horror
Standalone Sunday was started by Megan over at Bookslayer Reads.
What is Standalone Sunday?
Each Sunday bloggers feature a standalone book (one that is not part of a series) that they loved or would recommend. The standalone can also be one you want to read. There is so much focus on books that are part of a series that standalone books seem to be forgotten. They can be just as great as book series!
Here is my selection for this week:
H.P. Lovecraft’s Book of Horror
Written by one of the most important writers of the twentieth century, Lovecraft’s 1927 essay “Supernatural Horror in Literature” traces the evolution of the genre from the early Gothic novels through to the work of contemporary American and British authors. Throughout Lovecraft acknowledges those writers and stories that are the very finest that the horror field has to offer: Edgar Allen Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, and Arthur Conan Doyle, among others. This chilling new collection also contains Henry James’ wonderfully atmospheric short novel The Turn of the Screw.
Here is the Wikipedia Link of H.P. Lovecraft. This paragraph is taken from there:
Howard Phillips Lovecraft (August 20, 1890 – March 15, 1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He was virtually unknown and published only in pulp magazines before he died in poverty, but he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales are “The Call of Cthulhu” and “The Shadow over Innsmouth“, both canonical to the Cthulhu Mythos. Lovecraft was never able to support himself from earnings as author and editor. He saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in progressively strained circumstances in his last years; an inheritance was completely spent by the time that he died at age 46.
This week’s selection was influenced by my husband. He is a Lovecraft and Cthulhu fan. As hard as he tries, I can not pronounce Cthulhu to save my life! Lovecraft still influences many today. It’s a pity he did not see fame until after his death. Have any of you read any Lovecraft?[Top]